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Signed Chicken Oil Painting Farmyard Rooster and Hens

Signed Chicken Oil Painting Farmyard Rooster and Hens

Regular price $595.00 USD
Regular price Sale price $595.00 USD
Sale Sold out

A rooster leads his hens and a scatter of yellow chicks across a farmyard, a thatched outbuilding and a hazy distance behind them, a pond catching light at the lower left. It is signed Borofsky at lower right, with a matching Borofsky label on the reverse. The name recurs across a whole run of decorative farm animal oils but corresponds to no documented artist, so I am selling it as exactly that: a signed decorative farmyard painting in the old Dutch barnyard manner. The canvas has been restretched and the gilt frame wears softly at the corners, both of which suit a working farmhouse picture.

Artist
Signed Borofsky, artist unidentified. The name appears on a large, consistent body of decorative farm animal oils and corresponds to no documented artist in the reference records.
Signature
Signed Borofsky at lower right, with a Borofsky label on the reverse
Medium
Oil on canvas
Subject
Rooster, hens, and chicks in a farmyard
Origin
Continental European
Age
Vintage. Dated on the character of the painting and the Borofsky signature type, since the canvas has been restretched and the reverse worked on, so construction no longer dates the work.
Canvas Size
26 in. W x 22 in. H
Frame Size
30 in. W x 26 in. H
Format
Horizontal
Frame
Giltwood, with wear and small losses at the corners
School or Movement
Decorative farmyard genre in the Dutch barnyard tradition. The subject descends from 17th century Dutch painters like Melchior d'Hondecoeter, who built large decorative canvases around poultry and farmyard fowl. That tradition carried through into a long line of decorative farmyard pictures painted for the home, of which this is a later example.
Support
Canvas, restretched

The painting reads as stable and clean in hand, the farmyard scene bright and the paint film sound across the surface, with light surface grime consistent with age. I have not disturbed the varnish. The canvas has been restretched onto its current stretcher and the reverse shows evidence of prior working, so the back is not original to the painting. The restretch has the canvas sitting sound and taut. The giltwood frame shows honest wear, with rubbing and small losses to the gilt and gesso at all four corners and scattered scuffs along the length, most visible along the top edge. I am describing the reverse and frame only from what I can see. Please review all photographs closely, as they form part of this description.

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