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Vintage Hunting Dog Oil Painting, Two Setters and Pheasant, Large Signed

Vintage Hunting Dog Oil Painting, Two Setters and Pheasant, Large Signed

Regular price $885.00 USD
Regular price Sale price $885.00 USD
Sale Sold out

Two English setters work a pheasant at the edge of a still pond, one dog frozen with its head thrown up at the rising cock bird, the second pushing in low behind it, while a gun in a soft hat moves up through the birches at the right. The painter signed it "Van Daele" in the lower left. It carries the label of a Brussels framer on the reverse, and it comes in a deep gilt composition frame with foliate and cartouche corners. The setters are the whole show here, all that white coat worked wet against the autumn grass.

Details
Artist
Bearing a signature reading "Van Daele" in the lower left, artist unidentified
Signature
Signed lower left, "Van Daele." A pencil inscription reading "Van Daele" and "5044" appears on the stretcher
Medium
Oil on canvas
Subject
Two English setters working a pheasant at a pond edge, a second flushing bird and small flock beyond, a gun advancing from the tree line, autumn woodland
Origin
Continental European, likely Belgian
Age
Circa 1950, read from the unlined machine-woven canvas, keyed stretcher, cast composition frame, and the mid-century Brussels framer's label. An estimated date from physical evidence, not a documented one
Canvas Size
36 in. W x 19.75 in. H
Frame Size
44.5 in. W x 29 in. H
Format
Horizontal
Frame
Deep gilt composition frame over wood, foliate and cartouche corners, fitted by the Brussels framer whose label is on the reverse
School or Movement
Continental sporting painting. A long tradition of hunting and shooting scenes produced across Belgium, Northern France, and the Low Countries through the 19th and earlier 20th centuries, showing gun dogs at work, game birds, and the shooting field. Setters and pointers on point were a favorite subject, painted for country houses, sporting lodges, and the decorative trade.
Support
Unlined, original canvas on a keyed wooden stretcher with a single vertical cross-member
Provenance
Bears the label of L. Desmet, a picture framer on the Chaussée de Wavre in Ixelles, Brussels, on the reverse
Condition

The painting is on its original unlined canvas, tacked to a keyed wooden stretcher with a single vertical cross-member. There is a clean slit in the canvas roughly one inch long in the lower foreground grass, left of center and near the bottom edge, in a passage of painted grass away from the dogs, the pheasant, and the sky. The edges of the slit are clean with no associated paint loss or lifting visible in the area around it. It is disclosed here and shown close up in the photographs so you can judge it for yourself. A buyer may choose to have it closed by a conservator or leave it as is; at normal viewing distance it sits low in the composition and reads as minor.

The paint surface is otherwise stable, with the fine texture and even toning you would expect of a canvas of this age. The signature is legible in the lower left. The gilt composition frame shows rubbing and small losses to the high points of the corners and crest, with a few areas of the gilt worn through to the ground, consistent with age and handling. Please review all photographs closely, as they form part of this description.

#163

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