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Antique Italian Oil Painting Woman and Baby in Church, Circa 1880

Antique Italian Oil Painting Woman and Baby in Church, Circa 1880

Regular price $1,950.00 USD
Regular price Sale price $1,950.00 USD
Sale Sold out

She stands on the church steps with the baby gathered against her shoulder, eyes lowered, in the full traditional dress of the Roman Campagna: the white folded headcloth, laced bodice over a red-sleeved chemise, dark skirt, and red stockings. She is a ciociara, the young woman in the costume of the countryside south of Rome, one of the most sought-after subjects in 19th-century Roman painting. A mother carrying a swaddled infant onto church steps carries an old resonance, the presentation and blessing of a child, echoing the Madonna and Child in the guise of everyday peasant life. Behind her a Cosmatesque altar glows with inlaid marble and a heraldic shield, twisted columns rise on either side, and a brass votive lamp hangs on its chain overhead. A Latin inscription is painted into the stone at lower right, in the martyrological language of the Roman church. This is an unusually ambitious example of the type, large in scale and worked fully from the architecture down to the shadow crossing the marble floor, with a Brussels framer's label on the reverse.

Details
Artist
Italian School, unidentified
Signature
None. The Latin lapidary lettering on the stone at lower right is painted decoration within the depicted church interior, not a signature. It is written in the manner of a Roman church memorial inscription and carries the phrase "in Sabinis," referring to the Sabine hills northeast of Rome, a region long associated with early Christian saints.
Medium
Oil on canvas
Subject
A ciociara, a young woman in traditional Roman Campagna dress, holding an infant on the steps of a church interior, before a Cosmatesque altar with a hanging votive lamp
Origin
Italian School
Age
Circa 1880, late 19th century
Canvas Size
14 in. W x 26.5 in. H
Frame Size
19 in. W x 31 in. H
Format
Vertical, full-length single figure
Frame
Period giltwood with egg-and-dart and beaded ornament, appears original to the work
School or Movement
Italian academic genre painting. Through the 1860s to 1890s, painters trained in the Roman academies produced highly finished scenes of regional peasant life for foreign visitors and the export trade. The favourite subject was the ciociara, the woman in the traditional costume of the countryside south of Rome, often placed in a recognisably Roman architectural setting. This example uses a Cosmatesque interior, the inlaid marble decoration developed by Roman marble workers in the 12th and 13th centuries and found in the city's medieval churches, as its backdrop. The type combined rigorous academic figure training with the picturesque appeal of Italian costume and devotional life.
Support
Canvas, lined
Provenance
Bearing the label of Encadrements C. Artiges & Fils, 10 Rue Gray, Brussels, on the reverse, documenting framing or restoration in Belgium
Condition

The painting presents well overall, with a warm, readable surface and strong presence at scale. Fine craquelure is visible across the surface, consistent with age, most apparent in the lighter passages of the headcloth and the pale draped cloth the woman carries. The canvas is lined, which has stabilized it against further age-related movement. The face, hands, and costume retain good detail and modeling.

I have not cleaned or tested the surface, and I am not making a claim about varnish state or earlier retouch either way. What I can say from close examination is what is described here. The gilt frame is a period profile with the expected minor rubbing and small losses to the high points of the ornament, more visible at the corners, in keeping with age and honest wear.

Please review all photographs closely, as they form part of this description.

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