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Antique French Flower Oil Painting Still Life in Cream Vase *AS-IS*

Antique French Flower Oil Painting Still Life in Cream Vase *AS-IS*

Regular price $590.00 USD
Regular price Sale price $590.00 USD
Sale Sold out

There is a quiet tension in this one. The vase is painted with real confidence, its pale baluster form modeled cleanly against a deep oxblood ground, while the flowers above it, orange zinnias, small blue and white blossoms, a stray pink bloom on a bent stem, are handled more loosely, the way a working study often is. Oil on canvas, French, late nineteenth century, in a substantial gilt gesso frame. The reverse carries a faint pencil inscription in French and a keyed, hand tacked stretcher that dates the work.

Details
Artist
Unidentified
Signature
No signature located on the front. Verso bears a pencil inscription in French, partly hidden by the stretcher bar, reading "pas de..." with "S.T.1" beneath. Not an attribution.
Medium
Oil on canvas
Subject
Still life, flowers in a cream vase
Origin
French
Age
Antique, circa 1890, assessed on stretcher construction and hand tacked attachment
Canvas Size
12 in. W x 18.25 in. H
Frame Size
19.5 in. W x 26 in. H
Format
Vertical
Frame
Gilt gesso on wood, foliate and laurel molding. Composition losses at the corners
Style
Academic still life, French atelier tradition
Support
Canvas over a keyed wooden stretcher, hand driven tacks, tacking edges present. Canvas bears a tear in the upper right area of the floral group
Condition

The canvas is on its keyed stretcher with the tacking edges present. There is a tear in the canvas in the upper right, within the painted flower group to the right of the vase, roughly 2 inches long, with associated paint lifting and a small area of exposed ground at the tear. There are additional punctures to the canvas in the lower left corner and at the right. The paint surface shows scattered small spots of paint loss, including near the base of the vase, and a light overall grime consistent with age. The tear has not been stabilized or repaired. I have not had the work examined under laboratory conditions, so I am describing only what is visible and what I can see in hand.

The frame is a gilt gesso on wood molding with a foliate outer course and an egg and dart inner course. It has composition losses at several corners where the white gesso substrate is exposed, along with smaller chips along the edges. The frame reads as original to the period of the work.

#157

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