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Antique Sheep Oil Painting Landscape, Oil on Board

Antique Sheep Oil Painting Landscape, Oil on Board

Regular price $1,485.00 USD
Regular price Sale price $1,485.00 USD
Sale Sold out

A flock of six sheep settled on a hillside at the close of day, one ewe standing watch while the others rest in the long grass, a wooded bluff rising behind them and open sky opening out to the left. The painting sits in the Belgian tradition of sheep-in-landscape work that runs through the middle and later 19th century, the same tradition that produced Verboeckhoven and the de Beul family. This example is unsigned, which is usual for animal-and-landscape studies of this kind, many of which were painted for the trade rather than for exhibition. The fleece is the thing to look at closely: each animal is modeled with a different weight of wool, the standing ewe in a deep russet against the pale gold of the two at rest.

Details
Artist
Unidentified
Signature
None found
Medium
Oil on board
Subject
Sheep resting in a landscape
Origin
Continental European, likely Belgian
Age
Antique, circa 1860 to 1890, assessed on frame construction, composition ornament, board support, and handling
Panel Size
22.25 in. W x 16.75 in. H
Frame Size
30.5 in. W x 25 in. H
Format
Horizontal
Frame
Original to the work. Period giltwood with acanthus and running-leaf composition ornament over a gesso ground
School or Movement
Belgian animal painting of the 19th century. A tradition of pastoral and livestock subjects that carried the Dutch Golden Age manner of painting animals into 19th-century Continental academic practice. Its painters specialized in cattle and sheep set in carefully staged landscape, prizing accurate modeling of the animals above all, and the best of them built entire careers on the subject. It was popular with collectors across Europe and remains a recognizable and collected category today.
Support
Board
Condition

The painting presents well overall with a warm, unified surface. There is fine age craquelure across the sky, visible on close inspection and consistent with the age of the work. A few small surface accretions and pale specks are present in the sky passage. The paint film reads as stable in the areas visible to me, with no tears, punctures, or significant losses apparent. There is minor rubbing at the extreme edges where the board meets the frame rebate. I have not examined the work outside the frame and cannot speak to the reverse or to any earlier restoration, so I am describing only what is determinable in hand and from the photographs.

The frame is original to the work and carries scattered composition losses and rubbing to the high points of the ornament, most visible along the outer leaf edge and at the corners. This is normal for a giltwood frame of this age and does not detract from its presence.

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