This late 18th-century engraving, The Triumph of David, was created by Swiss engraver Johann Jakob Frey (1681–1752) after a painting by the Italian Baroque master Domenichino. First published around 1710, this impression is on wove paper, placing it in the latter half of the 1700s. A reversed impression is held in the British Museum, underscoring its importance among Old Master prints.
The scene depicts David’s victorious entry into Jerusalem after the defeat of Goliath. David plays the harp while surrounded by musicians and attendants, as a sacrificial lamb is prepared in the foreground, a rich composition that combines triumph with religious devotion. Frey was celebrated for his ability to capture the spirit of the painters he engraved, and this piece demonstrates his mastery of light, shadow, and dramatic movement.
Artist Bio:
Johann Jakob Frey, a Swiss engraver born in Lucerne in 1681, developed his skills in Rome under Arnold van Westerhout and Carlo Maratti. Renowned for his precise lines, balanced compositions, and expert use of light and shadow, Frey became one of Rome’s most accomplished artists. His etchings are full of vitality and executed with remarkable control. Few have matched his ability to faithfully translate painters’ styles into engraving. He died in Rome at seventy, leaving a lasting legacy. One of his notable works is "The Triumph of David," an engraving inspired by Domenichino’s painting that depicts David’s triumphant return to Jerusalem after defeating Goliath.
Condition:
This late 18th-century impression shows signs of age, including cropping outside the plate lines, scattered foxing, and light discoloration. There are small historic bookworm holes at the upper right corner and left margin. Despite these issues, the image remains strong and the piece presents attractively in its black frame with gilt-effect slip.
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